数字化博物馆审美情趣与中国画意境美学的比较研究

目的 将传统的中国画意境美学与现代数字化博物馆审美进行对比研究,寻求其审美层面的内在联系,以期将传统艺术的意境美学延伸拓展至数字化博物馆设计,致力于推动中国画意境理论的现代化、科技化、数字化发展,同时也促进现代数字化博物馆的民族化、传统化、本土化发展。方法 以中国画意境理论中“天人合一”“气韵生动”“心斋坐忘”“虚实结合”“神与物游”为基础,分析其在数字化博物馆中的体现以及对应关系。结果 在中国画意境美学的影响之下,现代数字化博物馆追求全息性、生命性、沉浸性、虚拟性和交互性的审美特征。结论 通过数字技术综合调动参观者的外在感官神经,刺激参观者的思想、情感、精神等内在活动,实现了主观与客观统一、感性与理性统一、技术与艺术统一,在审美意识领域下达到了物我交织,开启了新的审美体验,同时也为中国传统意境美学注入了数字时代的活力。

A Comparative Study on Aesthetic Interest of Digital Museums and Artistic Conception Aesthetics of Traditional Chinese Painting

The work aims to have a comparative study on the artistic conception aesthetics of traditional Chinese painting and modern digital museum aesthetics, seek the inner connection of their aesthetics, in order to extend the artistic conception aesthetics of traditional art to the design of modern digital museums, devote to promoting the modern and technological and digital development of the artistic conception theory of traditional Chinese painting, and promote the national, traditional and localized development of digital museums. Based on the theories of the unity of nature and man, vivid spirit, the spiritual realm of forgetfulness, the combination of the virtual and the real, and god and things travel in artistic conception of traditional Chinese painting, its manifestation and corresponding relationship in digital media art was analyzed. Under the influence of the artistic conception aesthetics of the traditional Chinese painting, the holographic, vital, interactive, virtual and immersive aesthetic characteristics were pursued by modern digital museums. Through digital technology, the visitor''s external sensory nerves are mobilized comprehensively, and the visitor''s internal activities such as thoughts, emotions, and spirits are stimulated, the unity of subjectivity and objectivity, sensibility and rationality, technology and art are realized, and the object-self integration is achieved in aesthetic consciousness. It opens up a new aesthetic experience, and at the same time injects the vitality of the digital age into the traditional Chinese artistic conception aesthetics.