| 论现代青瓷的艺术表现 |
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| 引用本文： | 李明珂,黄胜.论现代青瓷的艺术表现[J].中国陶瓷工业,2010,17(1):40-42. |
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| 作者姓名： | 李明珂 黄胜 |
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| 作者单位： | 1. 江西陶瓷工艺美术职业技术学院,景德镇,333001
2. 景德镇陶瓷学院,景德镇,333001 |
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| 摘 要： | 青瓷是一门古老的艺术形式，在中国几千年的发展历程中，逐渐形成了温润、沉静、典雅的审美特征。它凝聚了儒家、道家、禅家的思想，是典型东方文化的代表。今天现代青瓷艺术创作呈现出多元发展的趋势。本文通过对现代青瓷的艺术形态分析，试图从理论上把中国文化的审美价值观与西方艺术的审美观进行梳理，找到一条推进现代青瓷深入发展和本土化演进的途径。
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| 关 键 词： | 现代青瓷 本土化 多元化 |
ART EXPRESSIVENESS OF CONTEMPORARY CELADON CERAMICS |
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| Li Mingke,Huang Sheng.ART EXPRESSIVENESS OF CONTEMPORARY CELADON CERAMICS[J].China Ceramic Industry,2010,17(1):40-42. |
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| Authors: | Li Mingke Huang Sheng |
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| Affiliation: | Li Mingke Huang Sheng(1. Jiangxi Ceramics ＆ Arts Institute, Jingdezhen 333001; 2. Jingdezhen Ceramic Institute, Jingdezhen 333001) |
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| Abstract: | Celadon ceramics is an age-old art. Through a history of thousands of years, it has taken on a soft, serene and elegant quality. It has captured the essence of Confucianism, Taoism and Zenism, and is considered a classic symbol of the Oriental culture. Today, art creation of contemporary celadon ceramics is becoming more diversified. This paper examines the art of celadon ceramics using the aesthetic theories of both China and the West with an intention to further its modernization and indigenization. |
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| Keywords: | contemporary celadon ware indigenization diversification |
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