| 论张大千绘画中“光”语言的嬗变 |
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| 引用本文： | 王平.论张大千绘画中“光”语言的嬗变[J].成都电子机械高等专科学校学报,2011(3):58-61. |
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| 作者姓名： | 王平 |
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| 作者单位： | 内江师范学院四川张大千研究中心; |
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| 基金项目： | 四川省教育厅人文社会科学(四川张大千研究中心)青年项目“张大千绘画中的‘光’语言研究(”ZDQ2010-14) |
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| 摘 要： | 国画大师张大千一生植根于传统,但又不断创新,勇于创新.张大千绘画的创新不止是笔墨与色彩的解放,更是探索和发展绘画新语言在中国画中的应用.他从早年开始关注绘画艺术中的“光”语言,一直探索和发展“光”在中国传统绘画中的表现形式,晚年开创墨色酣畅、光雾烟霭、气韵生动的泼墨泼彩画,实现了中国传统绘画的伟大革新.
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| 关 键 词： | 张大千 "光"语言 具象光 意象光 泼墨泼彩 |
On the Evolution of the Light Language in Zhang Daqian' s Paintings |
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| WANG Ping.On the Evolution of the Light Language in Zhang Daqian' s Paintings[J].Journal of Chengdu Electromechanical College,2011(3):58-61. |
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| Authors: | WANG Ping |
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| Affiliation: | WANG Ping(Zhang Daqian Research Center in Sichuan,Neijiang Normal University,Neijiang 641112,China) |
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| Abstract: | The traditional Chinese painting master Zhang Daqian rooted his life in traditions,but never stopped innovating and creating.His innovations are not only the liberation of the ink and color in the paintings,but also the exploration and development of new painting language to the traditional Chinese painting.He began to focus on the light language in the art of painting from the early years,and had been exploring and developing the performance forms of light language in the traditional Chinese painting.In hi... |
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| Keywords: | Zhang Daqian the light language concrete light imagery light splash ink and splash color |
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