山西洪洞广胜寺飞虹塔琉璃色彩艺术研究

山西是琉璃的故乡,明代琉璃艺术达到顶峰,古人将琉璃瓦用在宗庙、寺院、皇宫等神圣而不可侵犯的地方,正合乎孔子的＂天地君亲师＂的等级构想。可以说,成长于中国土地的琉璃文化在一定程度上暗合儒家思想,这也是为什么琉璃文化能够深深融入中国人血脉的原因。文章以山西洪洞广胜寺飞虹塔为例,通过对该塔的色彩研究,结合其历史背景、时代审美和地域文化等,将其独特色彩的形成原理和制作工艺进行展现和归纳,从而得出其色彩艺术规律,并且通过现代的审美知识,将飞虹塔的色彩艺术结合现代工艺美术发展,进行传承和弘扬,并对我国建筑装饰研究理论进行一定的补充。

Research on the Coloured Glaze Art of the Feihong Towe in Shanxi Hongtong Guangsheng Temple

Shanxi is the hometown of coloured glaze, coloured glaze art reached its peak in the Ming Dynasty, the ancients glazed tile used in temples, monasteries, the palace and other sacred places, It is accord with the level of Confucius＇s ＂emperor＂ affinity. It can be said, grew up in Chinese land coloured glaze culture to some extent coincide of Confucianism, which is why the glass culture can deep into Chinese blood. This paper takes Shanxi Hongtong Guangsheng Temple Feihong tower as an example, through the color study of the tower, with its historical background, aesthetic and regional culture, will be formed its unique color principle and the making process are displayed and induction, so as to get the color art rules, and through the aesthetic knowledge of modern, the art of color Feihong tower with modern development of Arts and crafts, to inherit and carry forward, and some supplement to the research on theory of China Building decoration.