论汉代铜镜图像的装饰与格局之美

目的 从汉代社会背景和工艺美术思想出发，探讨汉代铜镜在装饰图像以及装饰格局等方面的工艺美。方法 对青铜器物的发展嬗变进行梳理，对其中铜镜流变的重要时期进行归纳，对汉代各时期的铜镜形制进行回顾，分析与总结在汉镜中装饰图像与装饰格局所呈现的工艺与寓意之美，通过对典型铜镜的举例阐述铜镜中凝聚的造物观念，感受汉镜之美。结论 汉代所奠定的中国美学思想在铜镜图像的装饰与格局中得以充分体现，对中国现代设计所面临的形式传承与内涵延续之间的平衡有启发作用，汉镜中的寓意图案与构图形式对现代设计有借鉴之处，汉镜之美不仅可以作为探索历史的证物更是启迪当代设计的钥匙。

On the Beauty of Decorative Pattern of Bronze Mirror Image in Han Dynasty

The paper aims to discuss the beauty of the bronze mirror in decorative image and decorative pattern of the Han Dynasty based on the social background and art and craft ideas of the Han Dynasty. The development of bronze objects was sorted out, and the important period of copper mirror evolvement was summarized. The copper mirror system in various periods of the Han Dynasty was reviewed to analyze and summarize the process and image of decorative image and decoration pattern in Chinese mirror. The beauty of meaning, through the example of a typical bronze mirror, allowed readers to feel the concept of creation and the beauty of Han mirror. The Chinese aesthetic thought laid in the Han Dynasty is fully reflected in decoration and pattern of the bronze mirror image. It is instructive to the balance between the form inheritance and the connotation continuation of modern Chinese design. The implied pattern and composition form in Han Dynasty mirror has a reference for Modern design. The beauty of Han Dynasty mirror can not only be used as an evidence to explore history, but also the key to enlighten contemporary design.