| 从西门庆形象看晚明官商文化的特征 |
| |
| 引用本文： | 胡金望,张则桐.从西门庆形象看晚明官商文化的特征[J].徐州工程学院学报,2008,23(1):62-65. |
| |
| 作者姓名： | 胡金望 张则桐 |
| |
| 作者单位： | 漳州师范学院,中文系,福建,漳州,363000 |
| |
| 摘 要： | 《金瓶梅》男主人公西门庆形象具有丰富的文化内涵，从他的发迹变泰的历程可以看出，中国古代社会到了明代中叶出现了具有新的时代特征的官商文化，16世纪末17世纪初的中国没有融入世界的经济、文化体系，官商文化应该是强大的阻碍力量。《金瓶梅》的重要的认识意义在这里突显出来。
|
| 关 键 词： | 《金瓶梅》 西门庆 官商文化 |
| 文章编号： | 1673-0704(2008)01-0062-04 |
| 修稿时间： | 2007年12月1日 |
The Official and Commercial Cultural Characteristics in the Last Ming Dynasty Reflecting from the Image of XIMEN Qing |
| |
| HU Jin-wang,ZHANG Ze-tong.The Official and Commercial Cultural Characteristics in the Last Ming Dynasty Reflecting from the Image of XIMEN Qing[J].Journal of Xuzhou Istitute of Technology,2008,23(1):62-65. |
| |
| Authors: | HU Jin-wang ZHANG Ze-tong |
| |
| Affiliation: | ( Department of Chinese Language and Literature, Zhangzhou Normal University, Zhangzhou 363000, China) |
| |
| Abstract: | The hero of The Golden Lotus, XIMEN Qing, takes on rich cultural connotation. From XI- MEN Qin＇s process of coming up into the world, it is revealed that an official and commercial culture with fresh sign of the times came into being when ancient Chinese society were in the middle period of Ming Dynasty. During the late 1600＇s and the early 1700＇s, China had not entered into the world＇s economic and cultural system yet, and the official and commercial culture had become a strong hindrance, thus the important cognitive meaning of The Golden Lotus stands out. |
| |
| Keywords: | The Golden Lotus XIMEN Qin the official and the commercial culture |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
