Cross the River by Touching the Stones: Chinese Architecture and Political Economy in the Reform Era: 1978-2008期刊界 All Journals 搜尽天下杂志传播学术成果专业期刊搜索期刊信息化学术搜索

Cross the River by Touching the Stones: Chinese Architecture and Political Economy in the Reform Era: 1978-2008

Authors:	Tao Zhu

Abstract:	China's Open Door Policy and economic development set in motion in 1978 can be regarded as the triumph of pragmatism over theory - specifically Chairman Mao's brand of Marxist theory. Tao Zhu traces the progress of reform over the last 30 years, and its impact on Chinese architectural culture. Copyright © 2009 John Wiley & Sons, Ltd.

Keywords:	CCTV Headquarters in Beijing Dongqi Middle School, Sichuan Province Beijing's Olympic Games Bird's Nest National Stadium the Water Cube National Aquatics Centre shoddy construction of rural schools China's current extreme social conditions the Third Plenum of the Eleventh Chinese Communist Party (CCP)Congress Mao Zedong's orthodox version of Marxism-Leninism ‘Great Leap Forward’ the greatest famine in human history ‘Ten Great Buildings’ ‘anti-theory’ position Hua Guofeng ‘Two Whatevers’ Deng Xiaoping ‘What is the Judgment of Truth?’ ‘Practice is the sole arbiter of truth’ ‘First Wave of Emancipation of Thinking’ special economic zones (SEZs) fiscal decentralisation Tiananmen Square Movement ‘crony capitalism’ and ‘crony socialism’ ‘crony class’ power arbitrary, uncoordinated and often wasteful projects the concept of social consciousness is a new one for China Rem Koolhaas the hyper-productivity of Chinese architects Cai Peiyi's International Exhibition Center, Beijing, 1985 Dai Nianci's Queli Hotel, Qufu, Shandong, 1985 New Enlightenment Movement Pearl River Delta only two ‘master narrative’ languages Modernism ‘National Form’ four major forces culture of consumption emerging ‘experimental’ architects Wei Dazhong's Guanghua Changan Building, Beijing, 1996 Liu Jiakun's Luyeyuan Museum of Stone Sculpture, Chengdu, Sichuan, 2001 foreign architects started to flock to China Zaha Hadid Chinese Zeitgeist spectacular objects of propaganda apolitical and value-free attitude.

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