| 《聊斋志异》与聊斋俚曲——兼论《仇大娘》与《翻魇殃》 |
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| 引用本文： | 郑秀琴. 《聊斋志异》与聊斋俚曲——兼论《仇大娘》与《翻魇殃》[J]. 徐州工程学院学报, 2010, 0(1) |
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| 作者姓名： | 郑秀琴 |
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| 作者单位： | 天津师范大学文学院; |
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| 摘 要： | 蒲松龄在晚年创作了大量俚曲,其中有七部的题材与《聊斋志异》中的小说相同。他写作与小说同一题材俚曲的目的是用一种寓教于乐的文艺形式对村庸市媪进行教化,表现的主题都是普通百姓日常生活中所关心的问题,充满了对整个社会和底层人民的关注。作家还特意选择了俚俗的语言进行创作,为后人改编《聊斋志异》奠定了家庭化、世俗化的基调。
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| 关 键 词： | 聊斋志异 聊斋俚曲 寓教于乐 《仇大娘》 《翻魇殃》 |
LiaoZhaiZhiYi and Liaozhai folk songs |
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| ZHENG Xiu-qin. LiaoZhaiZhiYi and Liaozhai folk songs[J]. Journal of Xuzhou Istitute of Technology, 2010, 0(1) |
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| Authors: | ZHENG Xiu-qin |
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| Affiliation: | School of literature/a>;Tianjin Normal University/a>;Tianjin 300387/a>;China |
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| Abstract: | Pu Songling created lots of folk songs based on LiaoZhaiZhiYi in his later years in life.His purpose was to educate the ordinary people through lively activities.The folk songs are concerned about the daily life of people.We can find the attention to lower-class citizens.And the author used uncultured language to write the seven folk songs what made the works popular among the peasants. |
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| Keywords: | LiaoZhaiZhiYi Liaozhai folk songs teach through lively activities |
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