基于苏州西郊山水散文分析的风景审美变迁

风景的文本书写是审美主体感知山水、传达审美情趣的重要途径。通过理论分析构建风景审美过程框架，同时搜录整理历代苏州西郊山水散文389篇，通过统计、可视化和图文互证，对文章的书写主体、表现客体和蕴涵其中的审美意识进行分析。研究发现：书写主体经历了由本土转向客籍，后又回归本土的时空演变；书写对象呈现由近拓远、由宏至微的特征；书写内容体现出主体对山水全景呈现、物我互动、形质把握、山水品评的审美变迁轨迹。创新性地以文学为切入视角，探索主体意识下的山水审美变迁，在完善苏州山水园林历史理论研究的同时，引发对风景规划实践的思考。

The Transition of Landscape Aesthetics Based on the Analysis of Landscape Prose About the Western Suburb of Suzhou

The literal expression of landscape is an essential method for aesthetic subjects to perceive landscape and convey their aesthetic interests. This research constructs a framework for landscape aesthetic process through theoretical analysis, and collects and sorts out 389 proses on the landscapes in the western suburb of Suzhou in the past dynasties, and then analyzes the writing subjects and expressing objects thereof and aesthetic consciousness contained therein, through statistics, visualization, and analysis of paintings and literature in the way of cross reference. The research finds that, all the writing subjects ever experienced spatio-temporal evolution, namely migrating away from hometown once, but returning to hometown finally; the writing objects present the characteristics of evolving from the near to the far, and from the macro to the micro; the writing content reflects the trajectory of aesthetic changes of writing subjects in the panoramic presentation of landscape, the interaction between objects and subjects, the grasp of form and quality, and the evaluation of landscape. This research innovatively takes literature as the entry point to explore landscape aesthetics transition under the subject consciousness, with a view to stimulating thinking on landscape planning practice while improving historical theoretical research on Suzhou landscape.