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中国美术学院转唐校园
引用本文:王澍. 中国美术学院转唐校园[J]. 景观设计, 2007, 0(1): 36-43
作者姓名:王澍
摘    要:这座校园的设计不仅关乎建筑本身,更是开始了对当下中国建筑设计与建造方式深思熟虑的一种转变。具体设计问题首先在于一座规模庞大的校园如何与一座不大的山共存,因为那山是先在的。启示得自次攀登杭州六和塔的经验。塔体庞大,山体与象山近似,但走进塔内,体量感完全消失。每层塔六边.共十八扇完全相同的窗,从每扇窗向外拍了一张照片,窗同,山同,但位置不同.景亦不同。

关 键 词:中国美术学院 校园 建筑设计 建造方式 设计问题 塔体 窗

The Zhuantang Campus of China Academy of Art
Abstract:The design of the campus is more of a transformation in the concept of Chinese architectural design and construction style than the building itself. The question rests in how to make coexistence of a large campus with a moderate sized hill for the hill was situated there originally. The inspiration came up in a trip to Liuhe Ta pagoda, which is huge in size on a hill similar to Xiangshan Hill. However, the sense of magnitude disappears immediately inside the pagoda. There are 18 identical windows with each floor of the hexagonal pagoda. I took photos of the view outside from each window. The window look similar and it is the same hill, but the view of the hill differs as a result of the varied shooting positions.
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