宋耀州窑牡丹纹饰抽象化设计研究

目的 以牡丹纹饰为例，探索宋代耀州窑装饰纹样的抽象化衍生图形设计及应用方法，实现传统文化的创新与传承。方法 首先采用文献研究法分析宋代耀州牡丹纹饰兴盛的社会背景、造型特征及表现手法，然后利用聚类分析法将纹饰按照花冠的表现形式分为：单层三瓣式、双层多瓣式和塔形楼台式，按照构成形式又可分为：缠枝式、交枝式、折枝式、瓶插式，在此基础上结合现代图形构成方法与形式美法则，展开牡丹纹饰抽象化衍生图形设计，并应用于明信片的设计实践中。结论 抽象图形具有独特的造型性和象征性，在现代构成方法与形式美法则的指导下，将传统纹饰从具象图形逐渐演变为抽象化衍生图形，既在一定程度上保证了与初始图形的相似性效果，又使得图形具有现代审美意味。

Peony Decorations Abstract Design of Yaozhou Kiln in Song Dynasty

The paper aims to explore the abstract derivative graphic design and application methods of decorative patterns of Yaozhou kiln in Song Dynasty with peony decoration as an example to realize the innovation and inheritance of traditional culture. First of all, this paper analyzed the social background, modeling characteristics and expression techniques of the peony decorations of Yaozhou Kiln in Song Dynasty by means of literature research. Then, the patterns were divided into three types according to the form of corolla by cluster analysis: single-layer triple-flap, double-layer multi-petal and tower-shaped tower table. According to the composition form, the pattern can be divided into four types: twining branch type, intersecting branch type, folding branch type, flask type. On this basis, combined with modern graphic composition method and formal beauty rule, the peony decoration abstract derivative graphic design was developed, and applied to the design practice on postcard. Abstract graphics have unique stylistic and symbolic features. Under the guidance of modern construction methods and formal beauty rules, gradual evolvement of traditional decorative patterns from figurative graphics to abstract derivative graphics not only guarantees the similarity effect with the original graphics to a certain extent, but also makes the graphics have the modern aesthetic meaning.