| 浅论建筑意象与建筑创作方式 |
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| 引用本文： | 赵永春. 浅论建筑意象与建筑创作方式[J]. 河北建筑工程学院学报, 2010, 28(2): 79-82 |
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| 作者姓名： | 赵永春 |
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| 作者单位： | 张家口市宣化建筑勘察设计有限公司 |
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| 摘 要： | 建筑意象是一种呈现,是潜意识在建筑领域的呈现,有时候潜意识不能自主或自以为自主,但经常是事后或旁观者能够很清楚的看到这种潜意识的呈现,这是设计师不能自主的无意识流露,不仅反映着设计师个体的潜意识大海,同时也呈现着整个人类社会和宇宙的潜意识大海（这个集体潜意识概念只是借用,并不等价于荣格的集体潜意识概念）.
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| 关 键 词： | 呈现 贯穿 直面 |
On Architectural Image and creation seyle |
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| Zhao Yongchun. On Architectural Image and creation seyle[J]. Journal of Hebei Institute of Architectural Engineering, 2010, 28(2): 79-82 |
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| Authors: | Zhao Yongchun |
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| Affiliation: | Zhao Yongchun Zhangjiakou,Xuanhua architecture survey design Co.Ltd |
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| Abstract: | The architecture image is a kind of presence of the unconsciousness in the architecture field.Sometimes the unconsciousness can＇t decide itself or notice self-deciding,but the bystander or after-events can clearly see the presence of this consciousness.That is designers who can not reveal the unconsciousness themselves.The above not only reflects unconsciousness of the designer-individuals,but also the unconsciousness of the whole human society and the universe. |
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| Keywords: | presence run through face |
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