| 中国民间皮影艺术人物造型分析 |
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| 引用本文： | 张峰,王茜.中国民间皮影艺术人物造型分析[J].桂林电子科技大学学报,2005,25(4):21-24. |
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| 作者姓名： | 张峰 王茜 |
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| 作者单位： | 江南大学,设计学院,江苏,无锡,214064;江南大学,设计学院,江苏,无锡,214064 |
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| 摘 要： | 通过对各个地域的皮影人物造型进行了分析研究,得出皮影人物造型具有平面化,戏曲化以及地域化的艺术特征。运用比较的手法,从材料、质地、使用场景等角度将民间皮影人物造型与中国传统剪纸艺术中的人物造型进行对比分析,得出两者的相似以及不同点,阐述了皮影艺术具有粗、俗、野的民俗特点。
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| 关 键 词： | 皮影 人物造型 平面化 戏曲化 地域化 |
| 文章编号： | 1001-7437(2005)04-21-04 |
| 修稿时间： | 2005年4月18日 |
The Analysis and Research on the Character Sculpts of Folk Shadowgraph in China |
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| ZHANG Feng,WANG Qian.The Analysis and Research on the Character Sculpts of Folk Shadowgraph in China[J].Journal of Guilin Institute of Electronic Technology,2005,25(4):21-24. |
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| Authors: | ZHANG Feng WANG Qian |
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| Abstract: | Shadowgraph is one of the favorite folk arts in China and has a long spreading history. The folk artists abstract and distill the character sculpts of shadowgraph, and shape the shadowgraph with Chinese features. This article analyzes the character sculpt of shadowgraph in different regions, and sums up that the character sculpt of shadowgraph has three features: complanation, dramatization, regionalization. Compared with paper-cutting from the aespects of handling, material and texture, the shadowgraph has both similar and different traits with it in the character sculpt, and the folk traits of shadowgraph are "coarse", "common" and "wild". |
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