中国艺术的后现代状况

20世纪90年代，后现代主义被嫁接到中国的视觉艺术中。在中国当代艺术发展处于多种可能时，许多画家自觉不自觉地将眼光投向市场，于是趣味取代了艺术家精神创造者的位置，提供给艺术家一个俗人的标准，一个消费与被消费者的角色与机会，但后现代主义的增生原则，真正体现了艺术的多样性和丰富性。

The Post-Modern State of Chinese Arts

In 90's of 20century,the post-modernism has been grafted onto Chinese visual arts. When Chinese contemporary art development comes into the period of various post sibilates consciously or unconsciously, many painters cast their eyes onto the market. Hence the public interests replace the artists'position as the spiritual creators and provide a common standard as well as an opportunity to be a consumer and a producer for the artists. But the rule of increasing on post-modernism truly reflects the variety of