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查理大帝的服装
引用本文:杨道圣. 查理大帝的服装[J]. 工业工程设计, 2020, 2(6): 25-31
作者姓名:杨道圣
作者单位:北京服装学院 美术学院,北京 100029
基金项目:2018年度国家社科基金艺术学重大项目(18ZD20)
摘    要:《查理大帝传》中查理大帝所穿着的服装可区分出三种不同的风格:法兰克服装、罗马服装、拜占庭服装,每种服装的具体样式都能在加洛林时期的图像和实物中找到具体的对应,借助于图像和实物让人对查理大帝的着装及形象有了清晰的认识,同时会看到查理大帝所着服装是三种服装的结合。这种结合清楚表明查理大帝的时代是由古典文化、基督教文化和蛮族文化结合的欧洲文化形成的开端,这种结合不只是历史的必然,更有查理大帝有意识的塑造。

关 键 词:查理大帝;加洛林王朝;法兰克服装;罗马服装;拜占庭服装
收稿时间:2020-10-09

Charlemagnes Costume
YANG Daosheng. Charlemagnes Costume[J]. Industrial & Engineering Design, 2020, 2(6): 25-31
Authors:YANG Daosheng
Affiliation:School of Art, Beijing Institute of Fashion Technology, Beijing 100029, China
Abstract:Charlemagne has three kinds of different style costume according to Early Lives of Charlemagne and which are Frank costume, Roman costume and Byzantine costume. All the details of the three kinds of costume can be found corresponding in contemporary images, through which we can get a clear idea about Charlegmane??s costume and image. What??s more, we can find that Charlemagne??s costume combines the three kinds of style. The combination clearly shows that the era of Charlemagne is the beginning of the formation of European culture, which is composed of classical culture, Christian culture and barbarian culture. This combination is not only a historical necessity, but also a result of Charlemagne??s intentional shaping.
Keywords:Charlemagne   Carolingian   the Frank costume   Roman costume   Byzantine costume
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