| 永不凋零的“花”——评《中国古代缠枝纹装饰艺术史》 |
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| 引用本文： | 罗俊,赵振,万剑.永不凋零的“花”——评《中国古代缠枝纹装饰艺术史》[J].陶瓷(咸阳),2020(1):73-75. |
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| 作者姓名： | 罗俊 赵振 万剑 |
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| 作者单位： | 宁波职业技术学院 |
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| 基金项目： | 2018宁波市哲学社会科学带头人培育项目《中外缠枝纹装饰艺术母题比较研究》 |
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| 摘 要： | 笔者主要评论了学者万剑《中国古代缠枝纹装饰艺术史》一书面世的意义与价值。缠枝纹作为中国古代装饰艺术中的典范,是传统文化的延伸。笔者以缠枝纹在中国不同历史文化时期中的流变为线索,对缠枝纹所表现出的美学意识的变化进行了简要论述,并就缠枝纹在当代设计中的应用提出了几点思考。
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| 关 键 词： | 缠枝纹 传统文化 美学意识 设计 |
Flowers That Wither-Review of Chinese Acient Decorative Art History of Tangled Branches Pattern |
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| Luo Jun,Zhao Zhen,Wan Jian.Flowers That Wither-Review of Chinese Acient Decorative Art History of Tangled Branches Pattern[J].Ceramics,2020(1):73-75. |
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| Authors: | Luo Jun Zhao Zhen Wan Jian |
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| Affiliation: | (Ningbo Polytechnic,Zhejiang,Ningbo,315800) |
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| Abstract: | This paper mainly comments on the significance and value of Professor Wan Jian's book ancient Chinese tangled branches pattern.As a typical example of ancient Chinese decorative art,tangled branches pattern is an extension of traditional culture.Based on the change of tangled branches pattern in different historical and cultural periods in China,the author briefly discusses the change of aesthetic consciousness of tangled branches pattern,and puts forward some thoughts on the application of tangled branches pattern in contemporary design. |
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| Keywords: | Tangled branches pattern Traditional culture Aesthetic consciousness Design |
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