| 陶艺的思维和创作-论陶艺创作的逻辑思辩 |
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| 引用本文： | 赖颖秦,曾昭望. 陶艺的思维和创作-论陶艺创作的逻辑思辩[J]. 中国陶瓷, 2007, 43(8): 63-64,65 |
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| 作者姓名： | 赖颖秦 曾昭望 |
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| 作者单位： | 德化陶瓷学院,德化,362500 |
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| 摘 要： | 从陶瓷艺术的渊源及其发展变化的趋向,全面阐述了传统陶瓷艺术与现代陶艺的创作思维方法,并指出了现代陶艺家利用逻辑思辩的方法—反面思维法,进一步丰富和完善了陶艺创作的思维方式,拓宽了陶艺的创作思维空间。
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| 关 键 词： | 陶瓷艺术 陶艺创作 思维方法 |
| 文章编号： | 1001-9642（2007）08-0063-03 |
| 修稿时间： | 2007-07-16 |
THOUGHT AND CREATION OF CERAMIC ART -DISCUSSION ON LOGICAL RATIOCINATION OF CERAMIC ART |
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| Lai Yingqing,Zeng Zhaowang. THOUGHT AND CREATION OF CERAMIC ART -DISCUSSION ON LOGICAL RATIOCINATION OF CERAMIC ART[J]. China Ceramics, 2007, 43(8): 63-64,65 |
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| Authors: | Lai Yingqing Zeng Zhaowang |
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| Affiliation: | Dehua Ceramic Institute, Dehua 362500 |
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| Abstract: | According to the origin of ceramic art and the tendency of its development and changes,the author comprehensively elaborates on the thinking modes in the creation of traditional ceramic art and modem ceramic art,also points out the modem ceramic artists use logical ratiocination-Reverse Thought Way to further enrich and perfect the thinking modes in creation of ceramic art, and expand the space of creation thought of ceramic art. |
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| Keywords: | ceramic art creation of ceramic art thinking modes |
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