| “文革”时期版画图式探析 |
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| 引用本文： | 徐华春,胡翔. “文革”时期版画图式探析[J]. 湖南纺织高等专科学校学报, 2011, 0(2): 108-110 |
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| 作者姓名： | 徐华春 胡翔 |
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| 作者单位： | 湖南工程学院设计艺术学院,湖南湘潭411104 |
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| 基金项目： | 湖南省教育厅资助科研项目“文革时期版画艺术形式研究”（10c0563） |
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| 摘 要： | ＂文革＂时期的版画受特殊政治因素的影响,同时也因着其自身的特质因素,形成特定的图示语言。对＂文革＂版画的红海洋、漫画化、高大全、文字标题四个方面的图示特征进行了研究与探讨。
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| 关 键 词： | “文革” 版画 图式 |
Study of the Graphical Representation of Printmaking in the Cultural Revolution |
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| XU Hua-chun,HU Xiang. Study of the Graphical Representation of Printmaking in the Cultural Revolution[J]. , 2011, 0(2): 108-110 |
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| Authors: | XU Hua-chun HU Xiang |
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| Affiliation: | (Design Art Academy,Hunan Institute of Engineering,Xiangtan 411104,China) |
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| Abstract: | Printingmaking effected by political factors in the Cultural Revolution has special graphical representation.Graphic characterics of four respects such as the red ocean,cartoon,tallness-bigness and al-roundness,literal title are studied and discussed. |
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| Keywords: | Cultural Revolution printmaking graphical representation |
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