“无地物遗址”概念、特征及展示观念研究——以唐长安城遗址为例

国内外遗址保护研究持续活跃,伴随中国文旅产业兴起,在人本主义语境与城市设计精细化要求背景下,文化精神的传递、公众情感的联结、体验需求的关注等逐渐受到重视,遗址文化展示表达迎来特别机遇。但由于东方遗址多数实体不存的特性,导致历史信息转译困难,文化价值难以发挥。理据东方传统哲学思想“无”来论证本体缺失遗址的展示可行性,并从此视角明确“无地物遗址”概念、分类、选择性展示依据和展示模式等,解析其所具有的空间共用矛盾性、认知过程抽象性、保护展示分离性和展示空间灵活性等特征,在此基础上探讨遗址展示“址境一统”的整体观,城市、遗址、公众三位一体“与城乐民”的发展观,以及“续史延新”的循善观等展示观念,以期健全中国遗产保护展示理论体系,拓展无地物遗址历史文化可及性研究的视角和思路。

Research on the Concept, Characteristics andLayout of "Non-Surface Remains Historical Relics"

The research on site conservation at both home andabroad continues to be active, and along with the rise of China''scultural tourism industry, the transmission of cultural spirit, publicemotional connection, and attention to experiential needs aregradually emphasized in the humanistic context and the refinementrequirements of urban design, and the cultural expression of siteshas been given special opportunities. However, due to the nonexistentnature of most oriental sites, it is difficult to translatehistorical information and bring cultural values into play. Basedon the traditional Eastern philosophical thought of "nothing", thefeasibility of displaying sites without ontology is argued, and fromthis perspective, the concept, classification, and basis for selectivedisplay of "non-surface remains historical relics" are clarified, andthen their spatial sharing contradiction, abstraction of cognitiveprocess, separation of conservation and display, and display spaceare analyzed. On this basis, the overall concept of "unity of siteand context" and the development concept of "trinity of city,site, and public" are discussed in order to improve the theoreticalsystem of heritage conservation and display in China, and theaim is to improve the theoretical system of heritage conservationand display in China and to expand the perspective and ideasof historical and cultural accessibility of sites without objects.