| 浅析古彩与粉彩的关系 |
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| 引用本文： | 王怀治,王嫈. 浅析古彩与粉彩的关系[J]. 中国陶瓷工业, 2010, 17(3): 64-65 |
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| 作者姓名： | 王怀治 王嫈 |
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| 作者单位： | 珠山八友艺术馆,景德镇,333000 |
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| 摘 要： | 代代相传的一批善于用珠明料勾线、洗染和填色的绘瓷工匠,丰富多彩的五彩颜料,奠定了粉彩的基础。粉彩只是吸收了珐琅彩的某些工艺技术,正是这种吸收,才使粉彩从五彩中脱颖而出,成为一个新画种。
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| 关 键 词： | 古彩 粉彩 颜料 |
ON THE RELATIONSHIP BETWEEN FAMILLE VERTE AND FAMILLE ROSE |
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| Wang Huaizhi,Wang Ying. ON THE RELATIONSHIP BETWEEN FAMILLE VERTE AND FAMILLE ROSE[J]. China Ceramic Industry, 2010, 17(3): 64-65 |
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| Authors: | Wang Huaizhi Wang Ying |
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| Affiliation: | Wang Huaizhi Wang Ying(Art Gallery of Zhushan Eight Friends,Jingdezhen 333000) |
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| Abstract: | It is the group of porcelain painters who are good at drawing the lines,filling colors and painting as well as the wide palette of famille verte that have laid a good foundation for the development of famille rose.By obtaining certain techniques from other enamel paintings,famille rose arose from famille verte as a new form of decoration. |
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| Keywords: | famille verte famille rose pigments |
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