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建筑意象与建筑意境辨析
引用本文:罗迅,郭鹏,丁鸣扬.建筑意象与建筑意境辨析[J].沈阳建筑工程学院学报(自然科学版),2003,19(2):113-114,122.
作者姓名:罗迅  郭鹏  丁鸣扬
作者单位:[1]沈阳建筑工程学院建筑设计院,辽宁沈阳l10015 [2]沈阳建筑工程学院院长办公室,辽宁沈阳l10015 [3]沈阳东源房屋开发建筑装饰工程公司,辽宁沈阳110014
摘    要:对建筑设计中建筑意象与建筑意境的区别和联系进行探讨,利用建筑美学的理论来指导现代建筑设计实践.文章从美学角度分别阐释了建筑意境和建筑意象的含义,指出了建筑意境和建筑意象都是偏重于以实显虚,都在于情景交融,在艺术表现上都表现为含蓄隽永,虚实结合.但由于建筑意境和建筑意象是两个不同的美学范畴,因此,从建筑意境和建筑意象的渊源分别、涵义及内在联系辩析等方面入手,结合大量的建筑实例来分析其各自的独特内涵和审美特征,指出了建筑意境和建筑意象的异同.

关 键 词:建筑意象  建筑意境  建筑设计  建筑美学  审美特征  虚实结合
文章编号:1671-2021(2003)02-0113-02

Differentiation between Architectural Image and Meaning of the Area to Reach
LUO Xun.Differentiation between Architectural Image and Meaning of the Area to Reach[J].Journal of Shenyang Archit Civil Eng Univ: Nat Sci,2003,19(2):113-114,122.
Authors:LUO Xun
Abstract:Architectural Image and Meaning of the Area to Reach are a pair of ambiguous categories in architectural aesthetics. Connections and differences between Architectural Image and Meaning of the Area to Reach in architectural design are discussed in order to use the principles of architectural aesthetics to instruct the application of architectural design. The meaning of Architectural Image and Meaning of the Area to Reach are also explained respectively on the basis of aesthetics. Both of them lay particular stress on 'Show Void by Solid' and 'Feeling and Setting Happily Blended'. The similarities and differences between Architectural Image and Meaning of the Area to Reach, their own distinctive meanings and aesthetic characteristics are analyzed with lots of architectural cases on the basis of source differences, meanings, interior connections and differentiation.
Keywords:Architectural Image  Meaning of the Area to Reach  solid  void
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