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中国绘画史上色彩与水墨演变轨迹探讨
引用本文:李小汾.中国绘画史上色彩与水墨演变轨迹探讨[J].浙江理工大学学报,2005,22(2):141-144.
作者姓名:李小汾
作者单位:浙江理工大学艺术设计学院,杭州,310018
摘    要:主要通过中国绘画史上色彩与水墨的演变轨迹说明艺术形式语言的变迁构成了或者说改变了艺术史的发展进程.文章认为中国传统绘画发展史上色彩和水墨的演变轨迹大致分为4个时期:a)六朝以前,这是古画重丹青(即色彩)的时期;b)唐宋时期,这是色彩和水墨互相辉映的时期;c)元明时期和清代前期,重水墨,色彩仅仅沦为水墨辅助的时期;d)清代中期以后,色彩卷土重来,色墨各自走向独立的时期.

关 键 词:色彩  水墨  中国绘画
文章编号:1009-4741(2005)02-0141-04
修稿时间:2004年9月23日

On the Evolvement Trace of Color and Water-and-ink in Chinese Painting History
LI Xiao-fen.On the Evolvement Trace of Color and Water-and-ink in Chinese Painting History[J].Journal of Zhejiang Sci-tech University,2005,22(2):141-144.
Authors:LI Xiao-fen
Abstract:The article studies the changes of artistic form language which constitutes or modifies the development process of art history by the evolvement trace of color and water-and-ink in Chinese painting history. It gives a viewpoint that the evolvement trace includes four periods in Chinese traditional painting history. Pre-Six-Dynasties, it was the period when ancient paintings emphasized color; Tang and Song dynasties, it was the period when color interacted with water-and-ink; Yuan and Ming dynasties and the early period of Qing dynasty, it was the period that emphasized water-and-ink, but color made subsidiaries only; After the middle period of Qing dynasty, when color bounced back, then color and water-and-ink developed respectively.
Keywords:Color  Water-and-ink  Chinese painting  
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