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论叶天外有天曳动画创作的民族化元素
引用本文:李迪,张英杰.论叶天外有天曳动画创作的民族化元素[J].计算机科学,2015(3):371-374.
作者姓名:李迪  张英杰
作者单位:东北师范大学美术学院;东北师范大学美术学院
摘    要:动画片《大闹天宫》、长篇《铁扇公主》、水墨动画片《小蝌蚪找妈妈》和《牧笛》等都是世界动画史上经典的中国作品,让人们认 识中国动画特有的艺术表现形式,并且蕴含强烈的中华民族艺术探索精神。自1985 年后的《金猴降妖》等一系列动画片中,已难觅 推出真正具有民族化意味的动画作品。直至2014 年《天外有天》中国元素的动画作品获得了第41 届奥斯卡动画类奖项,以期为以 后的中国动画民族化创作提供一定的创作借鉴。

关 键 词:中国动画  民族化  《天外有天》  奥斯卡动画类奖  《大闹天宫》

On the Ethnic Element of Animation Creation of Higher Sky
LI Di and ZHANG Ying-Jie.On the Ethnic Element of Animation Creation of Higher Sky[J].Computer Science,2015(3):371-374.
Authors:LI Di and ZHANG Ying-Jie
Abstract:The animation The Monkey King (1961~1964), the animated features saga Princess Iron Fan (1941) and the Chinese water-ink animation Little Tadpole Looking for Mom (1961) and Reed (1963) have become the classic works in world''s history, which allows us to fully recognize the special Chinese ways of artistic presentation and the strong sense and spirit to explore the national art. Since the animation Monkey Here in 1985, we can hardly find some nationalized works until the Higher Sky came out in 2014. This animated work which is fully blended with Chinese elements won the 41st Oscar Award for Animated Short Film, which will provide reference for the nationalized creation of Chinese animation.
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