| 陶行知的“艺术的兴味”与书法实践 |
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| 引用本文： | 郭继明. 陶行知的“艺术的兴味”与书法实践[J]. 数码设计:surface, 2012, 0(6): 145-147 |
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| 作者姓名： | 郭继明 |
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| 作者单位： | 重庆师范大学书法研究所 |
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| 摘 要： | 书法创作强调要"即兴"挥洒,在兴发状态下,才能进入书法世界,书写者需要在"养兴"中将自己调整到本然的存在状态,使自己的生命律动通于自然的律动。书法的"味"主要指书法的"韵味"、"气味"、"情味"、"研味"。陶行知在即兴中的自然书写流露出雄秀静穆之相、拙朴率真之趣、醇厚清雅之味、圆浑流美之韵。
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| 关 键 词： | 陶行知 书法艺术 兴 味 |
The Artistic Interest and Calligraphy Practice of Tao Xingzhi |
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| GUO Jiming. The Artistic Interest and Calligraphy Practice of Tao Xingzhi[J]. surface, 2012, 0(6): 145-147 |
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| Authors: | GUO Jiming |
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| Abstract: | The creation of calligraphy stresses the need to "improvisation",in which can make a calligrapher to enter in a world of calligraphy and to adjust himself to the natural existing state in order to make his life rhythm communicating with the natural rhythm.The tastes of calligraphy mainly refer to the charm,the spirit,the emotion and the research.Tao Xingzhi’s(one of the greatest Chinese educators) natural composition in a impromptu state reveals the splendid and serious image,the plain and true interest,fresh and elegant taste and the rhythm of smoothness and dynamic beauty. |
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| Keywords: | Tao Xingzhi The Art of Calligraphy The Interest |
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