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《李娃传》主副调互补的叙述策略及其间接攻击策略
引用本文:方坚铭. 《李娃传》主副调互补的叙述策略及其间接攻击策略[J]. 浙江工业大学学报, 2004, 0(1)
作者姓名:方坚铭
作者单位:浙江工业大学人文学院 浙江杭州310032
摘    要:唐传奇《李娃传》主旨向来众说纷纭。本文通过对《李娃传》文本的分析,确定其主调是 "于李娃表一种赞赏,于荥阳公子表一种同情",其副调是"贬斥荥阳公,间接攻击士族礼法门 风"。由于主副调具有互补的功能,从而使本传具有纵深性和丰富性的特征。

关 键 词:《李娃传》  主副调互补  间接攻击策略

Narrative strategies of foregrounding and backgrounding in the romantic story of Liwa and indirect attacking tactics
FANG Jian - ming. Narrative strategies of foregrounding and backgrounding in the romantic story of Liwa and indirect attacking tactics[J]. Journal of Zhejiang University of Technology, 2004, 0(1)
Authors:FANG Jian - ming
Abstract:There has been a lot of different opinions on the theme of the romantic story of Liwa. By analyzing the text of this story, the paper has arrived at the conclusion that the foregrounding theme is that the author very much appreciated the character of Liwa, deeply sympathized Lord Yingyang's son, and that the backgrounding theme is that the author demoted and rebuked Lord Yingyang and therefore indirectly attacked the practice of the pedantry and the courtesy. Both the foregrounding theme and the backgrounding theme were interwoven together throughout the novel, thus making this story even more penetrating and abounding.
Keywords:romantic story of Liwa  foregrounding and backgrounding complementarity  indirect attacking tactics  
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