| 对“阴阳”思想与现代设计艺术关系的思考 |
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| 引用本文： | 罗铭. 对“阴阳”思想与现代设计艺术关系的思考[J]. 数码设计:surface, 2010, 0(11): 27-29 |
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| 作者姓名： | 罗铭 |
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| 作者单位： | 安徽师范大学传媒学院 |
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| 基金项目： | 2009年安徽师范大学青年科学基金项目资助(The Grant for Youth of Anhui Normal University)——《论“阴阳”哲学观在艺术设计过程中的价值》(项目号:2009xqn01) |
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| 摘 要： | 文章旨在通过对"阴阳"思想审美意涵的回顾和反思,以至于如何成为影响整个中国文化的传统美学思想的动因。同时,对艺术设计美学主体、理想、境界进行研究,通过分析如何运用"阴阳"思想来影响设计艺术要素,探讨设计艺术美学功能实现的诸种方式,来体现"哲学—美学—设计美学—现代艺术设计"的逻辑关系。
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| 关 键 词： | “阴阳”思想 现代艺术设计 设计美学 |
Reflection on Relationship between "YinYang" and Modern Art and Design |
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| LUO Ming. Reflection on Relationship between "YinYang" and Modern Art and Design[J]. surface, 2010, 0(11): 27-29 |
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| Authors: | LUO Ming |
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| Abstract: | This paper to "yin-yang" aesthetic meaning of reviewing and rethinking,as to how to be affected by the chinese cultural tradition of the aesthetic thought of the drivers.At the same time,on art design esthetics,ideals and the research and analysis of how to use "yin-yang" to influence designed art and designed art aesthetics to realize the functions of a way,to philosophy,the modern aesthetics design esthetics and art design the logical relationship. |
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| Keywords: | " Yin-yang" philosophy modern art design design esthetics |
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