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古代诗歌含蓄艺术的不同境界探讨
引用本文:张潭秋. 古代诗歌含蓄艺术的不同境界探讨[J]. 湖南工业职业技术学院学报, 2013, 0(4): 79-80
作者姓名:张潭秋
作者单位:河南工业贸易职业学院基础部,河南郑州,450053
摘    要:含蓄美是中国古代诗歌所追求的美学境界,历代诗歌在创作中含蓄艺术都是所追捧的热点。在追求含蓄美的过程中有着不同的层次,由浅入深一般可以分为语法层次、修辞层次与宗教觉悟层次这几个不同的层次,层次的差异导致了诗歌写作手法的不同,从而就造成了中国古代诗歌含蓄艺术的不同境界。本文主要结合对中国古代诗歌的理解,从作者诗歌写作的手法出发,分析研究了古代诗歌含蓄艺术的不同境界的审美追求。

关 键 词:古代诗歌  含蓄艺术  不同境界  宗教  修辞

On Diverse Implicit Realms of Ancient Poetry Artistry
ZHANG Tan-qiu. On Diverse Implicit Realms of Ancient Poetry Artistry[J]. Journal of Hunan Industry Polytechnic, 2013, 0(4): 79-80
Authors:ZHANG Tan-qiu
Affiliation:ZHANG Tan-qiu (Department of Foundation Courses in Henan Industry and Trade Vocational College, Zhengzhou 450053, Henan)
Abstract:Implicit beauty is a aesthetics realm pursued by Chinese ancient poetry. In the poetry creation in all ages,the implicit artistry has been greatly chased after.There are diverse gradations in the course of pursuing the implicit beauty.From the shallower to the deeper, diverse gradations are general y divided into the following three gradations: grammar, rhetoric, and religion consciousness. Dif erences existing in diverse gradations result in different poetry writing techniques, which produces diverse realms of implicit artistry of Chinese ancient poetry. Starting from the author’s poetry writing technique and combining the understanding of Chinese ancient poetry, this paper analyses and researches the aesthetic pursuit of diverse realms of implicit artistry of Chinese ancient poetry.
Keywords:ancient poetry  implicit artistry  diverse realms  religion  rhetoric
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