| Abstract: | At the turn of the twentieth century, landscape photography began to emerge as a new way to represent nature in Korea. Landscape photographs of the Korean peninsula were printed in modern media, such as the daily newspaper Maeilsinbo, the public cultural magazine Cheongchun, and picture postcards. This article explores the photographic representation of nature in Korea in the 1910s. Landscape images of the period were rooted in the visual regime of the camera obscura, and they often borrowed techniques and themes from Korean traditional landscape painting, or sansuhwa. The photographic medium was important in shaping new perceptions, aesthetic experiences, and discourses on nature. This article examines several categories of landscape photography, including images of scenic and historical places, idyllic and bucolic scenes, and urban parks. These categories were common in Korean western-style landscape painting and art photography of the 1920s, and continue to be seen to this day in Korean visual culture. |
