| 论《海上花列传》的场景化叙事 |
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| 引用本文： | 樊玉梅. 论《海上花列传》的场景化叙事[J]. 湖南工业职业技术学院学报, 2008, 8(5) |
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| 作者姓名： | 樊玉梅 |
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| 作者单位： | 河源职业技术学院,广东,河源,517000 |
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| 摘 要： | 《海上花列传》独创了场景化的叙事结构,通过性格映照塑造人物群象,以空间为主导结构全篇,这使小说富于生活真实感和立体感,从而成功地实践了作者的艺术抱负。
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| 关 键 词： | 海上花列传 场景化叙事 性格映照 空间转换 真实感 |
The Narration of Scenes in Flowers in Shanghai |
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| FAN Yu-mei. The Narration of Scenes in Flowers in Shanghai[J]. Journal of Hunan Industry Polytechnic, 2008, 8(5) |
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| Authors: | FAN Yu-mei |
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| Affiliation: | FAN Yu-mei(Heyuan Polytechnic,Heyuan,517000,Guangdong) |
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| Abstract: | Flowers in Shanghai originally created scene of the narrative structure.To make the novel be full of realistic and three-dimensional sense(of life),the author shaped the group figures by means of mirroring(reflecting) the disposition of the characters through space-oriented structure,thus he succeeded in his aspiration of arts. |
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| Keywords: | Flowers in Shanghai narrate by scene mirror the disposition convert the space to another sense of reality |
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