| Abstract: | The evolution of classical ballet from its accepted origins as one method of displaying status and aristocratic power in Renaissance Italy to its Romantic form, featuring professional ballerinas in white costumes dancing en pointe, took place largely during the long eighteenth century. This article discusses this transformation from the dual perspectives of choreography and costume by using the premise that these two vital elements in the presentation of ballet were co-dependent, each prompting the other to develop and evolve. Concentrating on Paris and London, it examines the relationship between court dress, fashion and theatre costume, and how this affected both the choreography and the style of dance throughout the long eighteenth century. |
