| 手伎、手影戏与影戏的形成 |
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| 引用本文： | 李跃忠. 手伎、手影戏与影戏的形成[J]. 重庆理工大学学报(自然科学版), 2005, 19(7): 101-103,106 |
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| 作者姓名： | 李跃忠 |
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| 作者单位： | 湖南科技大学人文学院 湖南湘潭411201 |
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| 摘 要： | 一般以为人类对“影子”的认识及古代方士的“弄影术”,是我国影戏的远源,而佛教文化则是其近缘,人们或以为它脱胎于僧侣俗讲,或以为它蜕变于佛徒的“以影说法”。但作者以为出现于辽、宋时期的“手伎”表演,尤其又是其中之一的“手影戏”,对影戏的形成也有重要影响。
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| 关 键 词： | 手伎 手影戏 影戏 |
| 文章编号： | 1671-0924（2005）07-0101-03 |
| 收稿时间： | 2005-01-04 |
| 修稿时间： | 2005-01-04 |
Zashouyi, Hand Shadow Play and the Formation of the Shadow Play |
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| Li YueZhong. Zashouyi, Hand Shadow Play and the Formation of the Shadow Play[J]. Journal of Chongqing University of Technology(Natural Science), 2005, 19(7): 101-103,106 |
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| Authors: | Li YueZhong |
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| Abstract: | It is generally believed that the cognition of "shadow" and the skill of "play shadow" by culture is its near source. Some consider it derives from saying spread by monks and other assume it comes from Buddha culture. The author believes the "Zashouyi" and the "hand shadow play" in Liao and Song dynasty have an important influence on the shadow play. |
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| Keywords: | Zashouyi hand shadow play shadow play |
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