略论诗歌律化进程的起点

对音韵的探索和诗歌创作中平仄变化的运用，可视为诗歌律化进程的起点。对汉语声韵的最初探索与东汉末年的佛教传入有关，同时在东汉文人的五言诗创作中，出现二、四字异声现象，这是汉代诗人将汉语音韵的研究所得运用于诗歌创作实践的表现。魏晋之际音韵研究日趋成熟，五言诗的创作中出现大量律句、律联，显示出魏晋诗人对声律的关注和在创作中的探索。

The Starting Point of Establishing Rules and Forms of Chinese Classical Poetry

The starting point of establishing rules and forms of Chinese classical poetry includes the exploration of rhythm and the use of level and oblique tones. The earliest exploration of Chinese rhythm concerned the introduction of Buddhism in the Han Dynasty. When poets in the Han Dynasty wrote Five Characters Poetry, some of study of Chinese rhythm was progressed them used the research results increasingly in the Wei and Jin about Chinese rhythm. The Dynasties. At the same time sentences and couplets of Five Characters Poetry accordding to the rules and forms of Chinese classical poetry appeared in abundance. It shows that poets in the Wei and Jin Dynasties paid close attention to rhyme rules.