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陶瓷工笔花鸟画装饰意味琐谈
引用本文:熊焰,曾晶.陶瓷工笔花鸟画装饰意味琐谈[J].中国陶瓷工业,2008,15(6):39-41.
作者姓名:熊焰  曾晶
作者单位:景德镇陶瓷学院设计艺术学院,景德镇,333001
摘    要:当代陶瓷工笔花乌画在“借古开今”、“引西润中”这两种类型的创新里,已经由传统形态发生嬗变。传统不是某种模式,而是一种精神。从整体上领会和把握这种精神,重视和研究陶瓷工笔花鸟画的特点,认识其优势和局限,才能更好的发展陶瓷工笔花鸟画,从而使陶瓷工笔花鸟画展示出更广阔的可见与不可见的审美图景,使这一优秀的传统艺术在新的时代放射出更加夺目的光彩。

关 键 词:陶瓷  工笔花鸟  装饰  意味

DISCUSSION ON DECORATIVE EFFECT OF FINE BRUSHWORK FLOWER-AND-BIRD PAINTING ON CERAMICS
Xiong Yan,Zeng Jing.DISCUSSION ON DECORATIVE EFFECT OF FINE BRUSHWORK FLOWER-AND-BIRD PAINTING ON CERAMICS[J].China Ceramic Industry,2008,15(6):39-41.
Authors:Xiong Yan  Zeng Jing
Affiliation:Xiong Yan Zeng Jing (School of Art , Design,Jingdezhen Ceramic Institute,Jingdezhen 333001)
Abstract:Contemporary fine brushwork flower-and-bird painting has evolved remarkably from tradition as a result of the efforts to create the present art on the basis of the past quintessence and to nourish the Chinese style with the Western ideas. Tradition is not a set mode, but a spirit. The furtherance of fine brushwork flower- and-bird painting on ceramics for the application of this skill to represent an aesthetic world with broadened horizons to renew its splendor in the contemporary times requires the grasp o...
Keywords:ceramics  fine brushwork flower-and-bird painting  decoration  effect  
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