| 物哀与幽玄之美 |
| |
| 引用本文： | 周建萍. 物哀与幽玄之美[J]. 徐州工程学院学报, 2004, 0(3) |
| |
| 作者姓名： | 周建萍 |
| |
| 作者单位： | 徐州师范大学 江苏 |
| |
| 摘 要： | "物哀"、"幽玄"是日本古典美学中的两个重要理念。他们对日本美学流变的影响是深远的。本文着意分析了"物哀"、"幽玄"的表现及深刻内涵,它们既源于日本民族纤细温和的情感体验,又因受佛教的影响而渗入了理性因素,因而具有了深刻的精神源泉。
|
| 关 键 词： | 物哀 幽玄 理念 美意识 |
On the Beauty in "Affection Toward Nature" and "Profundity" |
| |
| Zhou Jian-pingXuzhou Normal University,Xuzhou,Jiangsu. On the Beauty in "Affection Toward Nature" and "Profundity"[J]. Journal of Xuzhou Istitute of Technology, 2004, 0(3) |
| |
| Authors: | Zhou Jian-pingXuzhou Normal University Xuzhou Jiangsu |
| |
| Affiliation: | Zhou Jian-pingXuzhou Normal University,Xuzhou,Jiangsu 221116 |
| |
| Abstract: | "Affection toward nature" and "profundity", two important concepts in Japanese classical aesthetics, have been influential in the formation and change of Japanese aesthetics. This paper mainly analyzes the manifestation and deeper meanings of these two concepts, and gets the following conclusion: both of the two concepts are of reflection of the gentle and tender feelings of the Japanese people, and as they have borrowed some rational elements from Buddhism, hence they are profound in spiritual sources. |
| |
| Keywords: | " Affection toward nature" " Profundity" Concepts Aesthetic consciousness, |
| 本文献已被 CNKI 等数据库收录！ |
|
