| 中国写意人物画“意象”造型观的本质特征 |
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| 引用本文： | 李叶. 中国写意人物画“意象”造型观的本质特征[J]. 南京工业职业技术学院学报, 2008, 8(3): 46-47 |
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| 作者姓名： | 李叶 |
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| 作者单位： | 南京工业职业技术学院,艺术设计系,江苏,南京,210007 |
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| 摘 要： | 通过对中国写意人物画中“不似之似”的理解与界定,阐述了“不似”与“似”的关系;并通过实例的分析与证明来说明“不似之似”是中国写意人物画意象造型观的本质特征。
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| 关 键 词： | 写意人物画 意象 不似之似 特征 |
The Designing Features of the Shape Perspective of Image in Chinese Freehand Figure Paintings |
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| LI Ye. The Designing Features of the Shape Perspective of Image in Chinese Freehand Figure Paintings[J]. Journal of Nanjing Institute of Industry Technology, 2008, 8(3): 46-47 |
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| Authors: | LI Ye |
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| Affiliation: | LI Ye(Nanjing Institute of Industry Technology,Nanjing 210046,China) |
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| Abstract: | This paper gives a definition of resemblance of nonresemblance,expounds non-resemblance and resemblance,and discusses and points out that the resemblance of non-resemblance is the fundamental feature of the shape perspective of image in Chinese freehand figure,which accords with Chinese understanding and aesthetic requirements,with a Chinese characteristic,which we should stick to in our artistic practice. |
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| Keywords: | freehand figure painting image resemblance of non-resemblance resemblance |
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