试论陶瓷叶纹装饰

随着人类对物质材料驾驭能力的不断提高，人们不再满足于器物造型本身的美，而是想方设法在器物上加上一定的装饰。叶纹是中国陶瓷器上装饰纹样的一种。它有普遍、易见的优点，同时也不失朴实无华的精神。本文对从原始社会至今陶瓷器上叶纹的演变与发展进行了探讨，分析了不同时期各自的特点。尤其对宋代吉州窑的“木叶天日”进行了更具体的阐述。此外，对陶瓷叶纹装饰规律的运用以及装饰色彩的讲究也做了详细的介绍。

PRELIMINARY INVESTIGATION INTO DECORATIVE LEAF PATTERNS ON CERAMICS

With an improving ability to manipulate physical materials, man grew out of the satisfaction with the beauty of functional ceramic wares in shape alone, and began to put some decorations on their surface and leaf pattems were among them. They were universally seen and simple. This paper analyses the features of the decoration in different periods of time by investigating into the development of leaf pattems on ceramics from the primitive society to the contemporary age. The leaf design on Song Dynasty Jizhou temmoku ware was described in greater detail. Besides, the application of leaf designs for ceramic decoration and their selection of colors were also introduced. Finally, the pattem design was elevated from a 2-dimensional level to a 3-dimensional level where the embossed reproduction was expected to be more vivid and lifelike, thus bringing closer the relationship between nature, art and man.