| 艺术设计思维理念的审美体验与碰撞——《视觉思维》理念对现代艺术设计思维的影响 |
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| 引用本文： | 唐保平. 艺术设计思维理念的审美体验与碰撞——《视觉思维》理念对现代艺术设计思维的影响[J]. 艺术与设计．数码设计, 2011, 0(3) |
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| 作者姓名： | 唐保平 |
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| 作者单位： | 沈阳师范大学工程技术学院; |
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| 摘 要： | 从《视觉思维》作者阿恩海姆的诸多论述中可以看到,他之所以研究视觉思维,是因为人们长期以来对感知觉与思维、感性与理性的漠视,它造成了艺术与其它相关学科的割裂,是现代艺术审美理论研究与实践的障碍。知觉与思维之间本来并不存在鸿沟,鸿沟是由于人们在认识上的割裂所形成的,而审视与认识艺术思维审美新理念有助于现代艺术教育的深入探索与发展。
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| 关 键 词： | 美学 视觉思维 哲理 艺术教育 |
Art and Design Concept of the Aesthetic Experience of Thinking and Collision,Visual Thinking Philosophy of the Modern Art of Design Thinking |
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| TANG Baoping. Art and Design Concept of the Aesthetic Experience of Thinking and Collision,Visual Thinking Philosophy of the Modern Art of Design Thinking[J]. Art And Design, 2011, 0(3) |
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| Authors: | TANG Baoping |
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| Affiliation: | TANG Baoping |
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| Abstract: | Can see from a great deal of argumentation of author rudolf arnheim of visual thinking,he research visual thinking,because for a long time to sense consciousness and thinking,perceptual to ignore with reason people,it has caused art and the isolating of other relevant disciplines,is aesthetic theoretical research of modern art and obstacle of practice.Originally there were wide gaps between consciousness and thinking,the wide gap took shape because of people isolating on concept,scrutinize and know artistic... |
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| Keywords: | aesthetics visual thinking philosophic theory art education |
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