| 画乃吾自画书乃吾自书——从《平南论画》看魏晋南北朝书画自觉 |
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| 引用本文： | 秦宏.画乃吾自画书乃吾自书——从《平南论画》看魏晋南北朝书画自觉[J].湖南工业大学学报,2006,20(5). |
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| 作者姓名： | 秦宏 |
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| 作者单位： | 湖南理工学院,美术系,湖南,岳阳,414006 |
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| 摘 要： | 魏晋南北朝时期是一个思想极其自由解放的时代,而艺术的自觉在这个时期得到最充分的体现。借王《平南论画》中的“画乃吾自画,书乃吾自书”说明了这种自觉,并提出了这种自觉三个方面的体现。
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| 关 键 词： | 书画自觉 个性独立 抒情言志 |
Style is the Man: Painting and Calligraphy |
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| QIN Hong.Style is the Man: Painting and Calligraphy[J].Journal of Hnnnan University of Technology,2006,20(5). |
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| Authors: | QIN Hong |
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| Abstract: | The South and North Dynasty is an era full of free ideas,and art self-consciousness is thoroughly expressed in this era.Self-consciousness of art is fully exemplified in Wangyi's "style is the man in painting and calligraphy" in his writing Pingnan Discussing Painting.The article analyses this point and the three manifestations of this kind of art self-consciousness. |
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| Keywords: | self-consciousness in painting and calligraphy individuality expressing feeling and aspiration |
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