Abstract: | For the last three decades, Italian architecture has been characterised by an extreme polarisation. At one end of the spectrum have been the neo-conservators, who are subsumed by Italy's history, and at the other end the avant-garde for whom innovation is the Holy Grail and the present is a clean slate. Francesco Proto outlines the current potential for steering a middle course that will afford a greater eclecticism, enabling a natural balance between pragmatism and theory. Copyright © 2007 John Wiley & Sons, Ltd. |