| 论姑苏版画与清代景德镇民窑釉上彩瓷风格 |
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| 引用本文： | 汪美丽,余颖婧.论姑苏版画与清代景德镇民窑釉上彩瓷风格[J].中国陶瓷,2011(10). |
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| 作者姓名： | 汪美丽 余颖婧 |
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| 作者单位： | 景德镇建新瓷厂; |
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| 摘 要： | 姑苏版画在明中叶已经发展成熟,至清代时成为最重要的版画类型之一,具有很高艺术水准和鲜明特色,对清代景德镇民窑釉上彩瓷风格形成重要影响。清代景德镇民窑釉上彩瓷在移植与借鉴姑苏版画的过程中,大大丰富了题材和艺术表现力。
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| 关 键 词： | 清代 姑苏版画 景德镇民窑 釉上彩瓷 风格 |
ON THE GRAPHIC ART OF SHUZHOU AND ONGLAZE POLYCHROME STYLE JINGDEZHEN FOLK KILN |
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| Wang Meili,Yu Yingjin.ON THE GRAPHIC ART OF SHUZHOU AND ONGLAZE POLYCHROME STYLE JINGDEZHEN FOLK KILN[J].China Ceramics,2011(10). |
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| Authors: | Wang Meili Yu Yingjin |
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| Affiliation: | Wang Meili,Yu Yingjin(Chinese Calligraphy Court Correspondence University,Jingdezhen 333000) |
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| Abstract: | Suzhou woodcut in the middle of Ming Dynasty to the Qing Dynasty has been the development of mature,become the most important print type one,with high artistic level and characteristic,to the Qing Dynasty Jingdezhen folk kiln glaze ceramic styles formed the important influence.Qing Dynasty Jingdezhen folk kiln glaze polychrome in transplant and reference in Suzhou woodcut process,greatly enriched the themes and artistic expressive force. |
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| Keywords: | The Qing Dynasty Suzhou woodcut Jingdezhen folk kilns glaze polychrome style |
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