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女性主体地位嬗变与服饰文化转型研究
引用本文:孙虹,苏祝清. 女性主体地位嬗变与服饰文化转型研究[J]. 纺织学报, 2012, 33(12): 70-74
作者姓名:孙虹  苏祝清
作者单位:1. 浙江理工大学服装学院,浙江杭州,310018
2. 台州职业技术学院,浙江台州,318000
基金项目:浙江省提升地方高校办学水平专项浙江理工大学"美学—艺术学理论学科建设"项目
摘    要: 女性主体地位与服饰文化状况有着深刻的内隐关系,女性主体地位重大的历史变化是女性服饰文化转型的根本缘由所在;“阴盛阳衰”的服饰性差发端于父系社会,是由于两性社会地位差别的出现,女性在父权制背景下被奴化的社会现实的结果;随着女性主体地位的扬升,一批具有“革命性”的服装设计师应运而生,开启了女性服饰文化第二个轴心期的到来。

关 键 词:女性主体地位  服饰文化  设计师  轴心期

Research on evolution of women's dominant status and transformation of costume culture
SUN Hong , SU Zhuqing. Research on evolution of women's dominant status and transformation of costume culture[J]. Journal of Textile Research, 2012, 33(12): 70-74
Authors:SUN Hong    SU Zhuqing
Abstract:There is a profound implicit relationship between woman dominant status and costume culture. A great historical change of woman dominant status is a fundamental reason for the transformation of women costume culture. Costume sex differences of "female flourishes while male declines" had their origin in a patriarchy due to differential emergences of social status between male and femal. It was a result of social reality that women were enslaved in the background of patriarchy. Along with the ascension of woman dominant status, a great number of revolutionary fashion designers emerged as the times require, which turned on the advent of the second axial period of woman costume culture.
Keywords:women dominant status  costume culture  fashion designer  axial period
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