| 解析西方现代绘画中的荒诞表现 |
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| 引用本文： | 张俊沛.解析西方现代绘画中的荒诞表现[J].河南机电高等专科学校学报,2006,14(4):126-128. |
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| 作者姓名： | 张俊沛 |
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| 作者单位： | 河南师范大学,美术学院,河南,新乡,453002 |
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| 摘 要： | 西方现代社会的发展和现代哲学思想的普遍流行导致了现代艺术中荒诞表达方式的出现,它通过对传统经典的荒诞借用,对客观事物的荒诞重构,以及超现实的荒诞创造,展现出与传统绘画的理性截然不同的非理性特征,虽然它有一定的极端性和局限性,但我们要从历史发展的角度来客观地认识它。
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| 关 键 词： | 荒诞 潜意识 借用 重构 创造 |
| 文章编号： | 1008-2093(2006)04-0126-02 |
| 收稿时间： | 02 26 2006 12:00AM |
| 修稿时间： | 2006年2月26日 |
Analyzes in the Western Modern Drawing the Incredible Performance |
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| ZHANG Jun-pei.Analyzes in the Western Modern Drawing the Incredible Performance[J].Journal of Henan Mechanical and Electrical Engineering College,2006,14(4):126-128. |
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| Authors: | ZHANG Jun-pei |
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| Affiliation: | Henan Normal University, Xinxiang 453002, China |
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| Abstract: | The western modern society's development and the modern philosophy thought universal has popularly caused in the modern art the incredible expression way appearance,it through incredible borrows to the traditional classics,to the objective things incredible redevised,as well as the ultra reality incredible creation,unfolds with the traditional drawing rational entirely different non-rational characteristic,although it has certain extreme and limitation,but we must from the historical development angle to know it objectively. |
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| Keywords: | incredible subconscious borrow redevise creation |
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