| 大江文学叙事策略意识探微 |
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| 引用本文： | 罗帆 李娜. 大江文学叙事策略意识探微[J]. 北方工业大学学报, 1999, 11(4): 75-80 |
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| 作者姓名： | 罗帆 李娜 |
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| 作者单位： | [1]湖南益阳高等师范专科学校中文系 [2]北京联合大学文理学院人文系 |
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| 摘 要： | 大江健三郎是一个理论根底深厚、方法论意识极强的作家，这具体从大江文学的叙事策略意识上表现出来[1]。这种叙事策略意识的内涵主要指在文学创作中作家怎样将本土与西方、传统与现代文化有机地交融起来，从而形成自己独特的文学话语特色。
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| 关 键 词： | 叙事文学 叙事策略 交融 私小说 大江健三郎 |
On Oi Kensaburo's Literary Narrative Strategy Idea |
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| Luo Fan, Li Na. On Oi Kensaburo's Literary Narrative Strategy Idea[J]. Journal of North China University of Technology, 1999, 11(4): 75-80 |
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| Authors: | Luo Fan Li Na |
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| Abstract: | Oi Kensaburo is a writer with a sound basis of literary theory and strong methodology-orientation, reflected by his notions of literary narrative strategy. The intension of the notions is mainly expressed by the way he blends native and western as well as traditional and modern cultures together to form his unique literary language characteristics. |
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| Keywords: | narrative literature narrative strategy blend self-privacy story |
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