| 唐代佛教造像的女性化与世俗化 |
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| 引用本文： | 洪震颐. 唐代佛教造像的女性化与世俗化[J]. 中国陶瓷, 2006, 42(6): 72-73 |
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| 作者姓名： | 洪震颐 |
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| 作者单位： | 景德镇陶瓷学院,景德镇,333000 |
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| 摘 要： | 唐代,一个中国佛教造像的鼎盛时期。由于当时政治稳定、经济发达,人们逐渐从魏晋南北朝时期那种追求虚无飘渺的士大夫情结转为寻求更现实的创作风格,一大批女性化、世俗化倾向的佛教造像出现在中国佛教艺术的舞台上,给中国古代雕塑史又添上了柔媚多娇、光彩绚丽的一笔。
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| 关 键 词： | 唐代佛教造像 女性化 世俗化 |
| 文章编号： | 1001-9642(2006)06-0072-02 |
| 收稿时间： | 2006-02-19 |
| 修稿时间： | 2006-02-19 |
FEMINIZATION AND COMMON CUSTOM OF THE TANG DYNASTY BUDDHISM STATUES |
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| Hong zhenyi. FEMINIZATION AND COMMON CUSTOM OF THE TANG DYNASTY BUDDHISM STATUES[J]. China Ceramics, 2006, 42(6): 72-73 |
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| Authors: | Hong zhenyi |
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| Affiliation: | Jingdezhen ceramics institute, Jihgdezhen 333000 |
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| Abstract: | Tang Dynasty,a Chinese Buddhism statue prosperous time.At that time,because the politics was stable and the economy was developed,people gradually pursued from the illusory mind of the Literary intelligentsia class in Wei Jin Southern and Northern Dynasties to more realistic creation style.Then a large of the feminization and the common custom tendency Buddhism statues appeared on the Chinese Buddhism art arena,which make the Chinese ancient sculpture history more charming and more brilliant. |
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| Keywords: | Tang Dynasty Buddhism statues feminization common custom |
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