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氛围:由展览看空间的艺术性
引用本文:杨镇源.氛围:由展览看空间的艺术性[J].新建筑,2009(1):30-35.
作者姓名:杨镇源
作者单位:福斯特建筑师事务所,伦敦
摘    要:当代艺术中的展览空间是展览设计中新的领域,而当代作品的多样性及其自由、丰富的表现手法则往往是建筑师的设计灵感的源泉。当建筑师参与展览设计的时候,如何展示空间的世界性成为建筑师首要考虑的问题。氛围,作为新的空间艺术性的语汇在这样的情况下被提出,然后慢慢被发展为一种新的建筑理论,一种对空间艺术性的描述。以“感河”(Mood River)展览为例,试图对氛围的空间理论和运用进行阐释。

关 键 词:氛围  空间状态  展览空间

Atmosphere:From Exhibition to Space
Yang Zhenyuan.Atmosphere:From Exhibition to Space[J].New Architecture,2009(1):30-35.
Authors:Yang Zhenyuan
Affiliation:Yang Zhenyuan
Abstract:Contemporary art exhibitions require a new form of space to display art pieces, which has been a new subject for exhibition space design. The various styles and techniques of contemporary art always inspire architects. As a result, how to generate artistic spatial quality in the exhibition space becomes essentially important for architectural design. The term, atmosphere, was introduced in this context, then later gradually being developed as a new kind of architectural theory, which defines spatial characteristic. This article tries to use the "Mood River" exhibition as an example to discuss the atmosphere theory and its implementation.
Keywords:atmosphere  mood  exhibition space
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