| “以禅喻诗”的三性说 |
| |
| 引用本文： | 贺爱军.“以禅喻诗”的三性说[J].宁波工程学院学报,2007,19(3):50-52. |
| |
| 作者姓名： | 贺爱军 |
| |
| 作者单位： | 宁波大学 浙江宁波315211 |
| |
| 摘 要： | 本文通过回顾禅学和诗学之间的相生相倚的渊源关系,认为严羽的"以禅喻诗"说,以"妙悟"为核心理论,把审美活动按照层次分为两个阶段,是审美主体与审美本体的有机统一。
|
| 关 键 词： | 以禅喻诗 妙悟说 审美主体 审美本体 |
| 文章编号： | 1008-7109（2007）03-0050-03 |
| 修稿时间： | 2007-03-28 |
Three Aspects of Yan Yu's Poetry Illustration from Perspective of Zen |
| |
| HE Ai-jun.Three Aspects of Yan Yu''s Poetry Illustration from Perspective of Zen[J].Journal of Ningbo University of Technology,2007,19(3):50-52. |
| |
| Authors: | HE Ai-jun |
| |
| Abstract: | Based on the inter-relationship between poetry and Zen, the paper holds that Yan Yu's theory on "poetry illustration from the perspective of Zen",with "awakening to truth" as the core theory,divides the aesthetic activities into two stages and is the organic unity between aesthetic subject and aesthetic object. |
| |
| Keywords: | poetry illustration from perspective of Zen awakening to truth aesthetic subject aesthetic object |
| 本文献已被 CNKI 维普 等数据库收录！ |
