| 论当代伊朗招贴设计中书法字体的艺术特征 |
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| 引用本文： | 陈 竑,朱和平. 论当代伊朗招贴设计中书法字体的艺术特征[J]. 包装学报, 2012, 4(2): 72-75 |
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| 作者姓名： | 陈 竑 朱和平 |
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| 作者单位： | 安徽商贸职业技术学院艺术设计系,安徽芜湖,241002;湖南工业大学包装设计艺术学院,湖南株洲,412007 |
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| 摘 要： | 伊朗传统书法是将竹片切斜后沾墨书写,这样书写出的笔画可通过多样性和几何对称性结构的字母变化以实现字体图形化。当代伊朗招贴设计师利用伊朗传统书法的这一特点,在招贴设计中向世界展示了一种全新的、与其他民族书法风格迥异的字体设计,体现出了以下艺术特征:一是结构紧凑,形态流畅;二是异形契合,个性突出;三是三维塑造,强化视觉。
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| 关 键 词： | 伊朗招贴 字体设计 结构紧凑 异形契合 三维塑造 |
| 收稿时间： | 2011-12-23 |
Art Features of Calligraphy Font in Contemporary Iranian Poster Design |
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| Chen Hong and Zhu Heping. Art Features of Calligraphy Font in Contemporary Iranian Poster Design[J]. Packaging Journal, 2012, 4(2): 72-75 |
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| Authors: | Chen Hong and Zhu Heping |
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| Affiliation: | 1.Department of Art Design,Anhui Business College of Vocational Technology,Wuhu Anhui 241002,China;2.School of Packaging Design and Art,Hunan University of Technology,Zhuzhou Hunan 412007,China) |
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| Abstract: | The bamboo cut and ink dipped writing is Iran's traditional calligraphy which results in diversity and geometric symmetry in the structure of the letters. The traditional calligraphy is used by contemporary Iranian poster designers and shows a new calligraphy style in font design different from other nations in poster design, which reflects the following artistic features: Firstly, compact and smooth shape of letters; Secondly, shaped fit and outstanding personality of letters; Thirdly, three-dimensional shape of letters. |
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| Keywords: | Iran posters typeface design compacted structure shaped fit three-dimensional shape |
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