| 多元发展趋势与保持传统特色--论中国画的笔墨问题 |
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| 引用本文： | 唐帆. 多元发展趋势与保持传统特色--论中国画的笔墨问题[J]. 湖南工业职业技术学院学报, 2006, 6(1): 78-79 |
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| 作者姓名： | 唐帆 |
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| 作者单位： | 湖南工业职业技术学院,湖南,长沙,410208 |
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| 摘 要： | 中国画的笔墨语言的方式产生于它的工具材料的独特,凝集了中国画的重要审美原则,保持笔墨传统,实际上也是文化多元的需要,笔墨是中国画的画种内棱,是中国画的最根本的基因形式,因此,放弃传统,放弃笔墨,就等于放弃我们资源上的独特优势.
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| 关 键 词： | 中国画 笔墨 传统 |
| 文章编号： | 1671-5004(2006)-01-078-02 |
| 收稿时间： | 2005-10-25 |
| 修稿时间： | 2005-10-25 |
Diverse Development Trend and Keep Tradition Sepcial Features--theory the pen and ink problem of China painting |
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| TANG Fan. Diverse Development Trend and Keep Tradition Sepcial Features--theory the pen and ink problem of China painting[J]. Journal of Hunan Industry Polytechnic, 2006, 6(1): 78-79 |
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| Authors: | TANG Fan |
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| Affiliation: | Hunan Industry Polytechnic ,Changsha 410208 ,Hunan |
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| Abstract: | The phonetic way in pen and ink creation of China painting from its special tool material.lt gathered the important appreciate principle of China painting, kept the pen and ink trandition.In reality, that is the diverse demand of culture.The pen and ink is the most basic gene from of China painting,therefore, abandon tradition and pen and ink is means abandon the special advantage of our resources. |
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| Keywords: | China painting peng and ink tradition |
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