| 略论“意象山水”的理念与陶瓷创作 |
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| 引用本文： | 王品刚.略论“意象山水”的理念与陶瓷创作[J].中国陶瓷,2012(5):82-84. |
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| 作者姓名： | 王品刚 |
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| 作者单位： | 景德镇市青年画院 |
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| 摘 要： | 从"意象山水"的起源,发展以及对当代青花陶瓷山水画影响,分析了元初开始从"形象"到"意象"的笔墨变化过程。指出因元代特定的历史与文化背景,笔墨变化倾向中一股以个人意识为强烈主导的山水画逐渐崛起趋势,打破山水画千人仿一面的局面,清新的新兴"意象"派兴起已成必然。
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| 关 键 词： | 意象 笔墨 丘壑 山水画 |
DISCUSSION ON THE CONCEPT AND CREATION OF "IMAGERY OF THE LANDSCAPE" |
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| Affiliation: | Wang Pin’gang(Jingdezhen City Youth Art Academy,Jingdezhen 333000) |
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| Abstract: | This article research from the beginning of"the imagery of the landscape",the development and affection on the contemporary ceramic landscape painting.Analysis the Chinese drawing process from "tangible"to"imagery"at the beginning of Yuan Dynasty.Pointed out that due to the special historical and cultural background,trend on a strong dominant personal sense of Chinese landscape painting rise gradually.The situation on imitation of Chinese traditional landscape painting was broken at that time.Fresh"imagery painting"has already become the inevitable rise.The article explores the development of Chinese landscape painting,put forward own thinking and summary of"imagery of contemporary landscape painting". |
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| Keywords: | image brush drawing gully and hills landscape painting |
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