抱朴守拙——家居产品设计中的美学体现与回归

目的 以日常生活用品的创新为切入点，分析归纳抱朴守拙美学在家居产品设计中的体现，以期拓宽中式美学融入家居产品设计的方法与路径。方法 将文化学概论中的文化层次理论和唐纳德·诺曼的三层认知概念相结合，构建文化转译思路，从朴拙美学与现代设计应用的现状出发，通过梳理相关设计原理并结合多个应用案例，从形式美、功能美和内涵美等方面分析朴拙美学在家居产品设计中的影响机制与应用体现，重点阐述了形态朴素、功能适宜，以及符号简单的具象化设计应用方法。结论 包含现代家居产品物象转译与呈现的朴拙美学风格，是现代设计理念和中式传统文化结合发展的缩影。从本能形式、行为功能和反思内涵等角度提出设计创新策略，为现代家居产品的内涵式与外延式发展提供了理论框架与实现路径。

Clinging to Simplicity:Aesthetic Embodiment and Return in Household Product Design

The work aims to analyze and summarize the embodiment of the aesthetics of clinging to simplicity in household product design by taking the innovation of daily life products as an entry point, with a view to broadening the methods and paths of integrating Chinese aesthetics into household product design. The cultural hierarchy theory of Introduction to Culture was combined with Donald A. Norman''s three-level cognitive concept of cultural translation to develop ideas of culture translation. From the current situation of the application of simple aesthetics and modern design, the influence mechanism and application embodiment of simple aesthetics in the design of home furnishing products were analyzed in terms of the beauty of form, functionality, and connotation by sorting out the relevant design principles and combing with a number of application cases, with a focus on the application of the figurative design method of morphological plainness, appropriate functions, and simple and light symbols. The simple aesthetic style of translating and presenting the objects of modern household products is an epitome of the development of the combination of modern design concepts and traditional Chinese culture. The design innovation strategies proposed from the perspectives of instinctive form, behavioral function and reflective connotation provide a theoretical framework and realization path for the internal and external development of modern household products.